My wife and I made a conscious decision to live in the city. We both grew up in smaller areas that didn’t have as much access to culture and the arts. Even in the face of the high expense, heavy traffic, and crime, we still find living amongst culture a benefit that’s strong enough to keep us here. We want a place that invests in its parks and public arts in addition to having great food, music, and theater that can come from a large city.
For all the people like myself who live in urban areas and want their cities to invest in culture, we tend to have a big disconnect between how we view the physical world and the digital spaces in which we’re spending more of our time. We are escaping into our social media sites and apps at an ever-increasing pace, and we need to be thinking about how we shape culture in these spaces too.
The internet age is still in its infancy. We’re shaping this culture with how we’re tackling online bullying and anonymous harassment. With how we’re handling privacy. With disinformation. With how we’re handling the mashup of other real-world cultures that we’ve never had this amount of access to.
If we don’t think this through and consciously shape our digital spaces, they will shape us.
We want our digital spaces to have a point of view, but not to the point of being difficult to figure out. We want to have a chuckle, but not slow down what we’re trying to accomplish. We want thoughtful software that shows that it’s crafted with care — not because it’s made by people who are trying to squeeze every dollar they can, but because it’s made by people who care about solving a problem well.
Sometimes it’s a small little touch, like what Spotify did when listening to Star Wars soundtracks. They change the progress bar into a lightsaber. It’s fun and cute and expresses a little bit about themselves. They didn’t have to do this, but they chose to invest in something fun and playful. I don’t think they would have done this if they weren’t Star Wars fans.
Sometimes it’s an important detail. “Thinspo” is a term for sites that promote unhealthy body images of extremely thin people that others use as inspiration to lose weight. People who go to these sites tend to suffer from a negative body image, and Tumblr pops up this PSA when people search for “thinspo” and offers up some help if someone needs it. They make the link “Try another search” highlighted while diminishing the “View search results” link.
Sometimes there’s a real friction to not allowing people a way to express themselves. Emojis took the Simpsons’ route and made everything yellow. But even the Simpsons knew that yellow wasn’t the most representative (i.e. Carl, Abu, etc.). In 2015, iOS added multiracial emojis, and people really celebrated. Its absence really held people back from communicating the way they wanted to.
Sometimes investing in culture in software is life-changing. Apple has consistently been adding accessibility features over the last decade, but when they released iOS 5 in 2011, they made a huge leap. I saw posts by blind people spring up saying that it changed their life overnight. One started off with…
“Last Wednesday, my life changed forever. I got an iPhone. I consider it the greatest thing to happen to the blind for a very long time, possibly ever. It offers unparalleled access to properly made applications, and changed my life in twenty-four hours.”
Some of these examples are just cute, and some of them really matter — but they all show intentionality. We need to be more intentional and focus on the details of how we create a healthier digital space. If we don’t, the worst aspects of our collective psyche will shape it for us.
Good design means caring about how things feel, and not just how they function. If our cities deserve beauty, joy, and meaning, so do our digital spaces. These platforms aren’t just tools—they’re where we connect, create, laugh, cry, and live. If we don’t shape them with the same care and intention we give to our streets and stages, we’re letting algorithms define our culture. These platforms are becoming the new public squares, parks, and performance venues of our time. Culture doesn’t just happen — it’s built, detail by detail, by people like us.
I’ve waited decades for a definitive look at Sly Stone, and this is as close as it will get. Part of the documentary felt flat at the end, because as a mirror to Sly’s life, it is flat. It’s disappointing feeling the waste of great potential, regardless of how understandable it may be. I feel like Sly’s subconscious knows it, too, even if he can’t publicly admit it.
After 15 years away, I’ve decided to start up this blogging thing again.
In the 2000s, I was never a heavy blogger, and while I used to sign up to every social media platform, I was usually just a lurker. By the early 2010s I became even more dormant and stopped posting. I just liked my life better without the extra work.
But an interesting thing happened over the last few years — the enshitification of social media made me reevaluate things. I’d browse Twitter through Tweetbot daily, but when Twitter killed off 3rd-party clients, I left Twitter. I was a huge fan of Apollo for Reddit, but Reddit pulled the same move and I left Reddit.
Watching what is happening across all corporate social media has made me realize that their incentives aren’t aligned with what I want out of social media. While the culture of any platform is crafted by the people who use it and the policies that guide them, it’s a balancing act that’ll eventually loose it’s balance.
People left after Twitter went to shit and landed on Threads. Then Threads drastically changed their policies and people landed on Bluesky. There is nothing I can see that implies that the same won’t eventually happen at Bluesky.
I don’t know if this blogging thing will stick for me, but I’m giving it another go. Feel free to follow me on Mastodon, Lemmy, and subscribe here. I appreciate that you’re even on this site.
Here’s to the next post not being 15 years from now.
I’m a superfan, so I’m excited to hear these stories — but it’s sad to me that you can still hear how much he lacks self reflection. It’s going to be interesting to hear how this compares to the documentary coming out about him this week (which I’ve heard he didn’t participate, so maybe there’s a more reliable narrator).
This is one of my favorite bands, but this is my least favorite of their four albums. I’ve listened to it a handful of times, but nothing’s grabbed me the way “Choose Your Weapon” did. Still good, but not spectacular.
The moment I found out about it I binged all of it. It’s an analysis of Steve Wonder’s run of albums from I’ve been listening to that 5 album run in the early 70s. 50 years later it’s still perfection.
Still good, but not as good as the first season — much slower. But according to folks who read the books, it’s supposed to pick up in the next 2 seasons, which Apple just green-lit. Steve Zahn is a national treasure.
They couldn’t have hired a better director for this. If you’re wondering if this documentary needed to be made, in the first 5 minutes you’d realize how misguided that would be. Loved it.
After 6 months of serious and strenuous evaluation, the BrumBrum Academy is proud to announce the Brummies for 2009. Previously: 1, 2
Music
Boom Shadow by Nino Moschella 2nd album from the guy who I anticipate new work from the most. It’s a near-guarantee that I’ll love every piece of music that he puts out.
Good City for Dreamers by General Elektriks It’s been a while since their last release, but he picks up right where he left off 6 years ago.
Ray Guns Are Not Just the Future by The Bird & the Bee Easily the closest I get to pop in my listening habits, but I think I’m a sucker for Greg Kurstin’s production
Asterios Polyp by David Mazzucchelli I remember the author from one of my favorite super-hero graphic novels back in ’88, but I’m glad to see that 20 years later he’s done his first self-written graphic novel.
Nothing I didn’t realize it until I started this list, but what the hell has happened to me?! I apparently stopped reading this year. Asterios Polyp is the only book that I can remember reading the whole thing. I mean, I read a few things that were published before 2009 which don’t count, but still…